Morse code is a fine example of science and design coming together, which is why it plays such an important role in the branding of this project. I wanted the logo to mirror the dots and dashes of Morse code, and also feel abstract and maze-like.

A lot of my design work over the course of the last half-decade has been done for the Manfred Olson Planetarium located on UW-Milwaukee’s campus. Astronomy and astrophysics has been a huge part of my design career as well as my personal interests. When designing the album cover and the artwork for the vinyl record, I was influence by the illuminated manuscripts of late medieval and early renaissance Europe. Inspired by these beautiful works of devotional art, I updated and adapted their design elements for the modern day by using holographic material and contemporary typefaces.

Written by myself and translated into Morse code, “Illuminate” is a designer’s manifesto. By utilizing the sounds of Morse code to compose an atmospheric backdrop, composer Joshua Backes beautifully captures the combination of science and art forming an inspiring work of design. This theme is further reinforced through the use of vinyl record distribution, with album artwork designed by myself.

Elements of the project were printed and produced by a wonderful collaboration of print companies: Vinyl Art Company, Bay View Printing, Caribe Ink and Thread, and Clark Graphics. These elements were then assembled by myself.